Willan Publishing
Winner of the IPA Professional and Academic Publisher of the Year 2008 and International Achievement 2009

Northern Soul

Music, drugs and subcultural identity

Andrew Wilson (Nottingham Trent University)


Crime Ethnography Series (Series editors: Professor Dick Hobbs, LSE, Professor Geoffrey Pearson, Goldsmiths College)
'This book is based on a re-engagement with the Northern Soul Scene of the 1970s, and is a fine example of what Jules Henry termed passionate ethnography. Andy Wilson's account gains authenticity not only because he took part at the time but also because, over a decade later, he reconnected with his peers and that experience means to them. In the process, he adds a new dimension to studies of popular culture and subcultural movements: their highly variable impact on people's lives over time.'
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David Downes, (London School of Economics)
'This is a fascinating sociological study of a neglected aspect of British cultural history, the Northern Soul Scene, which in illuminating one particular example of the interplay of friendship, drugs and music shows how much can still be learnt about popular culture by the good use of a 'naturalistic' empirical methodology.'
- Simon Frith (University of Edinburgh)
No Text This book provides a vivid historical ethnography of the 1970s Northern Soul Scene, drawing on the author's personal involvement in this as well as extensive research. The book examines how cultural patterns and normative standards are established through individual practices and group interaction, and aims to show how participants in the scene became converted to actions that they once thought unacceptable - for a substantial majority this was amphetamine use, and for a minority, opiate use and burglary.

The book shows how early social background experiences influenced how quickly participants started using amphetamines and whether they subsequently became involved in criminal activities such as the burglary of pharmacies, and suggests a link between burglary of chemist shops, opiate use and fatalities from drugs overdose. Such high-risk behaviour is associated with previous delinquency and early social background, rather than the nature of involvement in the subculture. The book shows how early life influences have a powerful impact on shaping social identity, attachment to the subculture, and involvement in crime.

How and why individuals become involved in the subculture, and the impact it had on identity, are central themes to the study. The findings suggest that while involvement in the Northern Soul Scene provided valued memories and friendships, it did not impede movement to the conventional roles and responsibilities of adulthood. The book concludes with a summary of its implications for the sociology of adolescence, subcultural theories and deviant careers.

Contents
Introduction
1 Understanding the context
2 The Northern Soul scene
3 The people
4 Drug use - the context
5 Getting involved with drugs
6 Responding to the criminalization of drug use
7 High-risk behaviour
8 Conclusions - a longer perspective
Bibliography
Index

'The concepts of culture and subculture are increasingly used ('knife culture') to give a spurious depth to the public discourse about delinquency. Andy Wilson's study of the 1970s Northern Soul Scene provides just the right depth to give such concepts any meaning. Picking up from the subcultural traditions about rock music, delinquency and recreational drug use, this book is rare example of a genuine historical ethnography: combining an external observer's sense of historical change and an insider's account of shared experience.'
- Stan Cohen (London School of Economics)
'Sticking two fingers up to the "academic-criminology-must-be-boring" school of thought, Northern Soul is scholarly research as violence, drugs and northern soul. Rooted in the author's lived experience, rich ethnographic detail and an innovative re-working of sociological theory, Wilson has produced a fascinating account of the complex relationships between youth subculture in Northern towns, rare soul records imported from the USA, the all-night dance scene, amphetamine use and chemist shop burglaries. Reminiscent of the early work of Stan Cohen, David Downes and Jock Young, Northern Soul has the hallmarks of an instant classic. Highly recommended.'
- Ben Bowling (King's College, London)
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